![]() ![]() ![]() The variable compression options alone make it an attractive RAW competitor. Further still, Blackmagic RAW and DaVinci Resolve are integrated so tightly together that, for now, it makes the most sense to use Resolve for your entire pipeline. But in the end, we're still going to color in Resolve. We use Blackmagic RAW because it's compatible no matter where we edit (Premiere, FCPX, or Avid). This all fit within a single 4TB Samsung T7 drive that we plugged straight into the Blackmagic Video Assist. ![]() Over five days of shooting, we shot more than 30 separate multi-camera interviews, shooting hours and hours of footage. Blackmagic RAW files are a good bit smaller than ProRes files. Just use the “NFS20” code before your 7-day trial expires. You can get it here.īut it’s more than that. NFS readers get an exclusive coupon code that gets takes $20 off the list price. It makes the process a little faster and efficient not having to jump from program to program, especially when changes are made to the edit.Ĭolor Finale costs $99, but if you want try before you buy, Color Grading Central is offering a free 7-day trial of the plugin, which contains all of the tools and functions of the paid version. The major benefit to this plugin is that you don't have to leave FCPX to grade your footage, which is great news for filmmakers who are not only editing their own work, but are doing the final grade as well. Has announced their new Final Cut Pro X plugin, Color Finale, which gives users tools that are typically reserved for completely separate grading programs, like 3-way color wheels, RGB curves, vector based secondaries, and 3D LUTs all within the FCPX timeline.Ĭheck out the video below to see what Color Finale can do for your footage:Īnd here's a demo to see how the plugin works in real-time: DISCLOSURE: This is a sponsored post by Color Grading Central. ![]()
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